2023:

• Invited Educator: Holocaust Educational Foundation of Northwestern University's Regional Institute, "Witness: Mediating Holocaust Testimony in the Arts" (April 2024; Music & the Holocaust Educator)

• Invited Panelist: “Music and Antisemitism,” American Musicological Society, Denver, CO, November 2023

• “Underscoring Virality: TikTok, Music, and Antisemitic Enabling,” Society for American Music, Minneapolis, MN

• Invited Speaker: “Sounding Memory, Mediating Trauma: Holocaust Economy and the Politics of Sound,” Jewish Community Alliance of Southern Maine & Bowdoin College, Portland, ME

2022:

• “Holocaust Ventriloquism: Virtual Spectacles or Living Performance?,” Joint Meeting of the Society for Music Theory-American Musicological Society-Society for Ethnomusicology, New Orleans, LA

• “Witnessing Witnessing: Holocaust Holograms and the Legacy of Lived Testimony,” Lessons and Legacies XVI, Ottawa, Canada

• Invited Speaker: Convention der Österreich-Zentren, Leiden, Netherlands

2021:

• “The Sonic Sensorium of Concentration Camp ‘Babel’: Reception and Description of Language in Holocaust Testimonies and Written Memoirs,” Regional Interim Meeting of Lessons and Legacies, Knoxville, TN

• Invited Seminar: “Holocaust Tourism Revisited: Holocaust Memorial Culture between Education, Tourism, and Commemoration,” German Studies Association 46th Annual Conference, Indianapolis, 

• Invited Seminar: “Humor and Violence: Opera and Terezin,” Anne Tannenbaum Center for Jewish Studies, University of Toronto, Toronto, Canada

2020:

• Invited Speaker: “Echoes of Memory: An Evening of Remembrance,” United States Holocaust Memorial Museum, Montana State University, and Bozeman Public Library “Americans and the Holocaust” Traveling Exhibit, Bozeman, MT (cancelled due to COVID-19)

• Invited Speaker: “Practical Academia: Becoming a Musicologist” Montana State University Music Major Seminar, Bozeman, MT

2019:

• “Treblinka as Virtual Soundscape: AudioTrip and Polish Holocaust Memory,” American Musicological Society Annual Conference, Boston, MA

• “Sound Ethics?: Treblinka, Ceremonial Silence, and AudioTrip,” Yad Vashem International Workshop—“Holocaust Sources: Truth, Interpretation, and (Mis)Use in the Digital Era,” Jerusalem, Israel

• “Guiding or Obscuring?: Questioning the Sonic Infrastructure of Treblinka’s Audio Guide,”Special Session of Lessons and Legacies Conference, Munich, Germany

• Invited Speaker: “Reflections on Poland,” Jews & Poles: Entangled Lives—University of Minnesota Duluth Summer Course, Duluth, MN, May 2019

2018:

• “Sounding Narratives, Varying ‘Voices’: Affective Sonic Media in Jewish Museum Holocaust 

  Representations,” USA European Studies Conference, Omaha, NE

• “Musical Witnessing: George Takei’s Japanese Internment Camp Musical,” Literature & Film Association Conference: Politics, Ethics, and Adaptations, Missoula, MT

• Explaining the Misunderstood: The Incomprehensibility of Hanns Eisler’s Night and Fog Film Score,” NYU Steinhardt Music and Moving Images Annual Conference, New York City, NY